Dark tide

A song by Emmett Tinley that’s been haunting me for a few months…

[It hurts to lose you – Emmett Tinley]
January was blinding
As we climbed from the basement
Said goodbye for the last time
In a bar by the grand canal
Thanks for confiding
The pain you were hiding
But don’t let the silence
Come back to your eyes
‘Cause I heard the music
Your soul was making
It hurts to lose you
Just before we made it
You took my hat with a sad smile
And paid me back with your photograph
Though I needed to know why
I tried only to make you laugh
After you left the sky
Rained for the first time
And I went to see what I
Could find to blow my mind
And I heard the music
Your soul was making
It hurts to lose you
Just before we made it
Now you write mad poetry
In your room with dead roses
Just one more life story
That cries from the ocean
And wait for the dark tide
That comes to you day and night
Is it too late to take your side
Too late to win the fight?
‘Cause I heard the music
Your soul was making
It hurts to lose you
Just before we made it

Dark Tide

Release of Beautifuller Things / Echoes

My latest collections of recordings are now available for download via Bandcamp. Beautifuller Things is a batch of original material, while Echoes is a collection of covers. Both albums and all individual songs can (and should!) be downloaded for free, but if you feel like throwing a dime into the guitar case, you have that option for the Beautifuller Things record only (I need to make sure I don’t make a penny off the covers, so my prison sentence for copyright infringement will be at a minimum). Enjoy!



Beatifuller things (album cover)
Echoes (album cover)

New records!

So I’ve been frantically trying to take advantage of the winter break between semesters to put together a collection of my recordings from the past several years. I’ve gotten lazy as of late, opting to post demos in rough-draft form as soon as I record them, never to return to them again. Given my low-fi sensibilities and crude recording techniques, it might be pointless to shine things up for an “official” release, but there’s something psychologically satisfying about the process of going through everything, culling together the best moments, and making it all the best it can be, whatever the limitations of the source material. I haven’t done this since 2007, when I released Waiting for the miracle. I feel as if a weight has been lifted, like I’ve cleared the decks for what comes next. I’ll be putting two albums online in the coming days, one a collection of originals called “Beautifuller Things” (I know it’s grammatically incorrect, but if you listen to the record stoned, it’ll make perfect sense), and the other a collection of cover songs called “Echoes” (Yes, I even stole the title from Pink Floyd). Here’s the cover art for “Beautifuller Things” (photo by Brian Cook of Panda Riot)…

Beautifuller Things

…and here’s the cover art for “Echoes“. The painting “Echo and Narcissus” is by John William Waterhouse, and it’s in the “public domain,” so it’s stealable, I think. And the songs? Did I get permission from all the artists/record labels to cover them? Er, uh… Hey look, you can see a boob in the painting!

Echoes album cover

And here’s some plain ol’ silliness…

Past life

I suppose the trip to San Francisco last weekend put me in a nostalgic mood. Who am I kidding? I’m always in a nostalgic mood! At any rate, having a few days to myself for the Thanksgiving break has afforded me the luxury of fiddling around in the studio for a few hours. Apologies in advance for the numerous copyright violations, as I stole the outro from my buddy Eric, not to mention the video footage, which is from a 2005 My Dear Ella show.

I stumbled through the parking lot
Looking for my keys
The moon was hiding in the clouds
Got on my hands in knees and then
I asked myself some questions like
Did I believe in God
And if tonight was all the time I had
What would I spend it on
And then the thought suddenly came to me
That you might be awake
And so I dialed your number but
I guess it was too late

I started walking
till I could not feel my legs

I stepped out in the open air
And stood on my two feet
And looked out through my own two eyes
And started down my street
Until I came across a man who said he
Had no place to stay and asked me could I lend a hand before
I headed on my way and I said come and have a drink with me
And tell me of your life and then we drifted in the open air until we saw the light
That shone out from the neon sign and cut through all the clouds that settled down around
The rooftops like a thick and heavy shroud

We started falling
till we were deep in ground

It’s everything
The breath behind these notes I sing
The empty space inside the ring
The sacrifice I’m offering
The irresistibility
It dragged me down like gravity
I dropped down to my hands and knees
And pulled the earth up over me
The difference between now and then
The distance there and back again
Like footprints under breaking waves
A dream that slowly drifts away
The sunlight’s breaking through the clouds
The seeds are sleeping in the ground
Your smile it spun my heart around
And knocked the walls around it down
I wonder where you are tonight
I wonder if you’re sleeping tight
And dreaming of your past life

*[“Don’t let it crush you” outro is borrowed from My Dear Ella’s “The Majesty”]*

Old haunts

523 Waller Street – My old place!
I had to ask the concierge how to get to the Powell & Market train station. Once there, I had to ask how to buy a ticket and which train would take me to Church Street. Turns out nineteen years is long enough to forget all kinds of things, and plenty long enough to transform the face of a neighborhood. I did manage to get out on the correct side of the Church & Market station, and when I emerged from underground the first thing I noticed was the neon sign above Aardvark Books. Then it all came flooding back. I was twenty-three years old and settling in after a rocky first few months of the San Francisco experiment. I moved from upstate New York all the way across the country on the hunch that the “something more in life” I was longing for would be more likely to announce itself in an unfamiliar setting, and that once I discovered this something more it would knock me out of my low altitude orbit toward the deeper space of my personal potential. On an early expedition of my new neighborhood I wandered into this used bookshop, picked up a copy of Ken Wilber’s No Boundary, and officially commenced my love affair with eastern philosophy, growth-oriented psychology, and the city of San Francisco.

I lived in the Bay Area for five years before returning to the east coast. This period was the most intense and life-altering chapter of my life thus far, and the streets of San Francisco, specifically the Lower Haight neighborhood, have impressed themselves upon the core of my being. Curiously, I had not found my way back until this past weekend, when I had just a day and a half to run around town while my wife attended her annual anthropology conference. It rained hard almost the entire time we were in town, but during a brief break in the weather I did manage to hop that train to my old neighborhood, where I visited my old house on Waller Street, walked up Haight Street to Buena Vista Park, to Ashbury Street where I went to graduate school, then all the way up to Golden Gate Park.

Of course, much has changed since 1993. There is now a coffee shop (Bean There) directly across the street from my old house, as well as countless businesses up and down Haight Street that I swear I had never laid eyes on before. CIIS (my former grad school) has moved to another part of the city, but the old building still made my heart skip a beat when I stood in front of it. The streets still felt electric to me, the overall vibe of the town still filled me with a sense of hope and possibility. Eventually, the clouds gathered again and rain started to fall, so I hurried back down the hill to the train station. Before I left the old neighborhood though, I just had to pop into Aardvark Books. I went straight to the psychology section and, sure enough, a copy of No Boundary was sitting on the shelf, waiting for the next kid with his head in the clouds to pick it up.

It’s strange how years turn into decades, how the lines around our eyes creep in and eventually give us away, how a sense of hope and possibility that buoys us along for so long can turn into a sinking feeling in the pit of our guts. I’m not quite sure what to do with all that’s been stirred up by this walk down memory lane. Next week I turn 42, and it’s true, I miss that sense of hope and possibility, that feeling of anticipation that comes with believing that anything might be around the next corner, that something more might announce itself at any moment. For now I’ll just sit and watch the swirl of images rearrange themselves in my mind, let the rain soak me to the bone, and wait for the storm to pass.

Double yellow

The first time I met Jesus he was wrapped up like a burrito. I was too late to be of any real assistance, but I got there as fast as I could. Considering we were in the wake of a dreaded “double yellow,” things could’ve been far worse. Jesus was humming quietly to himself in a post-thorazine daze, and the other patient, the one I had been busy wrapping up over on the adolescent boys unit, he would have to spend at least the next hour contemplating in the “quiet area.” Actually, when I left him he was screaming something along the lines of “I’m going to fucking kill you, you fucking cocksucker!” – while already wriggling free from the restraints. We did a rush-job on the wraps, misaligning the velcro strips in a couple of places, so it wasn’t surprising to see the kid pulling a Houdini as we locked the door. But as the only male staff in the building that night, I had to make a choice: spend another ten minutes rewrapping the kid, who was already safely deposited in the QA, or make haste to the gymnasium, where God-knows-what was going down.

It’s bad enough hearing one “code yellow” called over the loudspeakers, as you never know what type of “psychiatric emergency” you might be in for. You always hope it’s followed by the words “child unit,” not because you’re happy a person under the age of twelve has gotten out of control, but because you know it will be relative easy to restore order. But if a yellow is called on the adolescent unit, you don’t know until you burst through the doors whether you’ll be dealing with a 13-year-old throwing a temper tantrum or a pair of 6-feet tall, 200 pound gang members beating each other with table legs. Fortunately, on this night, the youth in crisis was a wiry lad of 15, whom I could manage fairly easily aided by a pair of sturdy nurses.

An adult unit yellow is the most unpredictable scenario of them all. The crisis might be a 19-year old opiate addict trying to bust out of the place, and he or she may quickly calm down when the “show of force” arrives on the unit. Or it could be a 75-year old grandmother trying to hang herself with a bed-sheet. You just never know. A double yellow — two simultaneous crises –, especially on the weekend when staffing is at a bare minimum, is potentially a disastrous situation. Like this one night, when there were only two males in the building, myself and Charles, a big lug who works over on the adolescent boys unit. He and I were on the floor struggling mightily with a homicidally angry (and rather large) 18 year-old young man on the adult unit when a second code yellow was called back on adolescent boys. There was no way either of us could respond to the second code without leaving the other to be pummeled. It took us twenty minutes or so to get the guy into a locked, safe place where we could let him loose. By the time we arrived on the boys unit, the plexi-glass protecting the nurse’s station had been broken down. One nurse had been struck in the face with a three-hole paper puncher, her cheekbone shattered. The other nurse on duty was bleeding from her nose, having taken several punches to the face. It was a horrible scene, and Charles and I spent another half-hour rolling around on the floor making human burritos, desperately attempting to manage the chaos. We found out later that a few of the boys had been planning the assault for days, monitoring the cafeteria at meal times to see which staff people were on duty and thus who would be available to respond to code yellows. When Charles left the unit to respond to the adult yellow, the time was ripe for the boys to strike. “With Charles gone,” they must have surmised, “there would only be that little shit from the druggie unit on duty, and no doubt he’ll be busy helping Charles.” They were right. There was no one left who was strong enough to stop the carnage.

Fortunately, double yellows are rare, and the hospital is not always full of dangerous psychopaths. In any event, physical intervention is always a last resort, but there are nights you simply can’t avoid coming home with rug burns on your elbows and bloodstains on your pants. But again, on this night, when I first met the Son of God, things could have been much worse. After the first yellow, the wiry adolescent eventually succumbed to the effects of his forced injection before he could break through the outer “tortilla” restraint, and the second yellow had also ended peacefully, with Jesus humming himself to sleep. I didn’t see how the second yellow began, but I heard all about it in the adult nurse’s station while they were filling out the incident report. Apparently this man, intent on proving his divinity to each and all, had jumped up and grabbed the basketball rim during a friendly game of HORSE (a miracle in itself for someone no taller than five-seven), then somehow clambered up to a standing position, ten feet off the ground and about to take wing when his foot slipped through basket, enough that a fellow patient was able to grab hold and pull him down. Not one to give up easily, Jesus ran to other end of the court for another go, and things got yellow from there.

I say this was the first time I met Jesus. He and I would come to know each other quite well. That first time he introduced himself to me in the form of a short white guy in his twenties, with unbelievable hops. A few months later, his skin had turned brown and he had aged a couple of decades at least. Black Jesus — a name he invented himself and insisted upon –, he and I became especially good friends. The best of friends, really. Finally, just a few weeks before I left the hospital for good, Jesus checked in again, this time as a former psychiatrist, ironically the same psychiatrist who had treated the previous two incarnations of… well… himself.

Mysterious ways — that’s how the man works. That’s how he rolls. Me, I like to know what to expect, to know what I’m getting myself into. Back in the day, they used to call me Dr. Armstrong, the guy who would always come running when the call went out. These days, when two people are beating each other with table legs, I’m running away from the madness, not toward it.

Have a nice pie!

It’s a curious thing that we men so often wake up with raging boners. You might assume it’s because we have sex on the brain twenty-four seven, but I don’t think so. I think it’s just a blood flow thing. Of course, I could google it and put the matter to rest, but I’m hesitant to enter “morning erection” into the search box. I can see myself in a court room someday trying to explain that I was just “researching” for a blog post. No. I can’t risk it. Besides, I know for a fact that I wasn’t dreaming about anything sexual when I woke up this morning because I remember the dream clearly. I was in high school, participating in a gym class run by my former soccer coach. In real life, that coach always had it in for me ever since the day my older brother told him to “shove that whistle up your ass!” My brother quit the team that day, leaving me behind to take the heat for the next two years. Anyway, the dream kept morphing between gym class, soccer practice, and some sort of camping trip, all run by my former coach. At one point we were sitting around a campfire and the coach decided he wanted to bake up a pie. He sent me off to the supply room to fetch a “one-by-four” pie pan. Once in the room, I realized I no idea what he meant by “one-by-four.” It couldn’t be inches. That would make it too small. Four sides and one bottom? Too general. Anyway, after tearing apart the supply room I returned with an aluminum pan that seemed suitable for the task, but the coach berated me in front of the rest of the kids for “fucking everything up, as always!” This sent me into a rage and, in complete contrast to how things played out between us in reality, I went-the-fuck-off on the coach, ripping him up and down for all the times he unfairly picked on me to get back at my brother. The denouement arrived as I crumpled up the aluminum pan into a dense ball, threw it at the coach, and then hit him with this: “Have a nice pie!”

No wonder I woke up in such a state…

Little fingers

Perhaps this will be a new trend: Spending ten minutes laying down a rough acoustic demo, then half the day setting it to hundred-year-old silent movie footage. Copyright laws aside, I had fun with this:

When everything is dubious and put to the test
[Little fingers forget, little fingers forget]
Tied up and tedious, and dragged from the bed
[Little fingers forget, little fingers forget]
Surrounded by memories and lingering limbs
[Little fingers forget, little fingers forget]
Wandering, restless, and made of mistakes
[Little fingers forget, little fingers forget]
Heavy and heavenly, this weight on my chest
[Little fingers forget, little fingers forget]
Halfhearted melody, fragmented phrase
[Little fingers forget, little fingers forget]
Battered and Beautiful, like flickering flames
[Little fingers forget, little fingers forget]