Galvanized

Late 1780s diagram of Galvani's frog legs experiment
Late 1780s diagram of Galvani’s frog legs experiment
This morning I made my bed upon rising, fetched the paper without failing to notice the birds in all their glory, and enjoyed homemade pancakes for the first time in ages. New Year’s Day. If only I could be so galvanized every morning. Galvanized. I mentioned this word repeatedly on our long drive back and forth to Little Rock last week. That peculiar state of being energized in such a way as to practically guarantee creative action. Why, I wondered aloud during our road trip, why was I so creatively ablaze during certain periods of my life, while during others the inner flame flickered so faintly? Why was rock music so especially good in the 1960s, and then again in the 1990s? Why does greatness seem to be as much a product of the times as of the will and talent of individual human beings?

It was in the eighteenth century when Luigi Galvani discovered that a frog’s legs could be made to twitch in an electric field. A dead frog, no less. It is said that the discovery was accidental, that Galvani and his assistant were using frog skin to experiment with static electricity when a charged scalpel made contact with the exposed sciatic nerve of a recently skinned frog. As to what happened next, I will quote directly from Wikipedia, because the phrasing is just too perfect:

“At that moment, they saw sparks and the dead frog’s leg kicked as if in life.”

What a sentence! The first sentient being to be galvanized–a dead frog in 1771!

Well here I am—a human being and very much alive—inspired by the boldness of the number “1,” by the ring of the word “galvanized,” and by the fresh coffee straight from my brand new French press. Is it yet another fleeting swell of the flame caused by nothing more than some excess static charge in the air? Maybe so. But why not forge what we can while the flame is high?

New Years Rulin’s

It’s that time of year again. Time to take stock and set goals and all that shit. Me, I’m looking to crank up the creativity this year. As Maria Popova at Brain Pickings pointed out, both Tchaikovsky & Jack White agree: Inspiration AND hard work are needed to keep the creative flame burning. First Tchaikovsky:

There is no doubt that even the greatest musical geniuses have sometimes worked without inspiration. This guest does not always respond to the first invitation. We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavouring to meet it half-way, we easily become indolent and apathetic. We must be patient, and believe that inspiration will come to those who can master their disinclination.

Then Jack:

Inspiration and work ethic — they ride right next to each other…. Not every day you’re gonna wake up and the clouds are gonna part and rays from heaven are gonna come down and you’re gonna write a song from it. Sometimes, you just get in there and just force yourself to work, and maybe something good will come out.

And then there’s folk legend Woody Guthrie, who wrote the following “New Years Rulin’s” in his journal on January 1st, 1943:

New Years Rulins

Freedom

I woke up one day and I was absolutely free. It’s hard to explain, but it boils down to this: I simply stopped doing the things that were keeping me from being free. That’s pretty much it. From there, there was nothing to left to do. Freedom is not an activity or a procedural thing. It’s a condition, a state of affairs. Freedom just is. And so I was. As a soaring eagle, only it didn’t matter that my feet rarely left the ground. The truth is, there was nothing I could do to NOT be free. I was even free to go back to doing the things that used to keep me from being free. And so I did, eventually, and for a good long while I was still free, still soaring. Then I woke up one day and realized with a deep, terrible pang of disappointment that I was most definitely no longer free. It didn’t take long, in that condition, to cast considerable doubt as to whether I had ever truly been free at all. For the next ten years or so I thought it all over. Eventually I came to the conclusion that it didn’t really matter whether or not I had been free, but only if I really wanted to be free right now. I thought about that for another ten years before deciding yeah, sure, I want to be free now. But not right now. Right now I need get through the rest of the academic semester, knock out a few big assignments, prepare for my final exams and presentations. Once I get through that rigmarole I’ll be ready to soar. I’ve marked my calendar. December 13, 2013. Sweet freedom. At least until the start of the spring semester.

Self-portrait

Henry-Miller-self-portrait

“To do a good self-portrait, one must look into the ashes. Man builds on the ruins of his former selves. When we are reduced to nothingness, we come alive again. To season one’s destiny with the dust of one’s folly, that is the trick. In the ashes lie the ingredients for portrayal of self.” – Henry Miller

I’ve overloaded the circuits is all. Too many devices flashing and beeping at once. Information everywhere and not a nugget of truth to be found. This body, this brain—a sensitive sponge sopping up whatever pool of vomit or horse piss it finds itself in. How much longer will I pretend this is all well and good? How much longer will I resist the urge to fling myself over the rail? How close to the jagged earth will I be when I finally spread my wings?

The edge

vermont

I’m somewhere above Lake Erie, contemplating what it means to find one’s edge. I suppose I’m circling around in the same old holding pattern. The edge, of course, is just another way of conceptualizing the here and now, another way to say “Head the gong.” At this point, I think I have a pretty good idea how to get to the edge from wherever I find myself and, once I’m there, to recognize that I’m there. It’s just that I find it difficult these days to hang out on the edge for any length of time. I take one peek over the precipice then retreat back to the comfort and relative numbness of the familiar circles.

In less than one hour I’ll be back at the starting line. Back where all the ghosts scud like clouds over a full moon. Home. Less than an hour till the wheels touch down. Always a heartbeat from the edge, if only I’d remember to feel for the pulse.

This morning I woke at 3am to the terrible squeal of the alarm clock. Drugged with dreams, I pushed through the internal clouds to get to the bathroom, the garage, El Paso International Airport, the line to board my flight. Now I’m up, above the clouds, the baseball diamonds, the fingertip of Erie as it probes into Pennsylvania. Heading due East, to the edge, which can be on the ground or in the air or twenty thousand leagues under the sea. It just takes a second to feel for the pulse, for the blood flowing under the surface, through the vessels, into the tissue and over the bones.

*

The weather here in Vermont is spectacular. Last night we saw several shooting stars and marveled at the glow of the Milky Way. When the sun’s up, trout dart through the pond out behind the house. The color green seeps into your soul, especially when you come, as I have, from the arid Southwest.

These lazy Vermont days have been a real tonic for me. I’ve been reading, writing, playing music, sleeping in, drinking too much, taking in nature, and enjoying all sorts of other delicious indulgences that put me in the finest fettle. It’s been so nice to have my attention span to myself, instead of caught up in the demands of graduate school.

A cool breeze drifts in through the window, carrying the steam from my cup of coffee into my field of vision. One doesn’t realize just how important creamer is to a good cup of coffee until one is forced to take it black. It’s like cocoa without sugar. Some things were made to go together. The birds are singing their morning songs, and my father-in-law has just returned from a wild mushroom hunt. His basket is full of Black Trumpets. The early bird gets the worm, the mushrooms, and the last of the creamer for his cup of coffee.

I’ve been reviewing some of the old bits of writing to see what might be worth compiling, but I can’t shake the sense that it would be better to focus my attention toward finding the edge and developing my capacity to hang out there for more than a nanosecond. Perhaps I’m being too hard on myself. It’s just that I’m so goddamned content, so edgeless, so round and soft and sleepy and secure. So pointless. I’m a cup of creamer with no coffee in it. A spoonful of sugar sans the cocoa.

*

A light rain is falling on this, my final morning here in tranquil, soul-rejuvenating Vermont. The rain dripping off the leaves reminds me that I’ll need to pee soon. I’ll also need to pack soon, to ready myself for the return journey. A four-hour drive from Vermont to the airport in Albany, NY. Three flights to get to El Paso. An hour drive home to Las Cruces. It’s been a nice break, just what the doctor ordered, and I’m ready to resume my role as regular-life me. I think I’ll be able to deliver my lines with a bit more gusto this time around. And… action!

Checking in with my breath I soon notice the weight of my bones and then the pulsing of blood through the vessels. As my attention sinks down and in, it settles on a rapidly intensifying sense of urgency. I need to poop. Right now. Welcome to the edge.

Lost in the drama

drama-skulls-cruel-imageI’m not sure anything needs to be said. There is no sense of pressure building. No longing for release. What’s lacking is enthusiasm. Urgency. Intensity. I miss these feelings that so often came with the words that were not quite in my head, not quite on the tip of my tongue but nevertheless were, suddenly, there on the page.

At 42 I miss 24, if only for the anticipation of surprises, the atmosphere of mystery. Lately I feel as if the plot has been spoiled, as if I read the last sentence first.

“And then you die.”

I’d like to forget I ever saw it, convince myself I may have been mistaken. Maybe there’s some context that will change the meaning. Maybe the whole thing turns out to be a dream. Maybe if I start again from the beginning I’ll get so lost in the drama, so absorbed in the unfolding of details that I’ll forget what I saw, or at least cast enough doubt to make things interesting again.

Home

DSCN3098I was sitting on the toilet clipping my toenails when my brother called to tell me they were pulling the plug on Dad. “Pack your bags bro…” is how that conversation started. A few minutes later he called again, this time to ask me if I wanted to say goodbye to my father before they let him go. My brother held his cell phone to my father’s ear and I had about fifteen seconds to say goodbye. I fell to the floor in tears. Head spinning, I paced around the back yard, mowed the lawn, noticed the two doves struggling to make a nest on my back deck and the two new rosebuds (the first of this Spring) that popped up overnight. Next thing I’m in the air between El Paso and Albany, writing up a draft of the obituary. Then I’m doing my Mom’s taxes, working on the eulogy with my siblings, singing at the funeral service, carrying my father’s casket through the pouring rain to the grave site. Of course it was all difficult, heart-wrenching, and beautiful too. All my time on this planet, until now, my father has been here with me. Even across the miles, he’s been here, somewhere. Now he’s gone. Not here, not anywhere. And even though I’m surely not alone, I feel as if I’ve been dropped off in the middle of nowhere, left to find my way back home. But “home,” by definition, has always been the place where my father is, and so I’m lost. Heaven is a comforting idea, for those who believe, but I’m not looking for comfort. My father is dead and I’m trying to find my way home, to a real place on this planet, where I can live and breathe and be wide awake under the real shining sun, doze and dream under real stars. I may be lost, but I’ll find my way, eventually. When I get there, it’s not going to be the same without you, Dad.

dadandbob

Dark tide

A song by Emmett Tinley that’s been haunting me for a few months…

[It hurts to lose you – Emmett Tinley]
January was blinding
As we climbed from the basement
Said goodbye for the last time
In a bar by the grand canal
Thanks for confiding
The pain you were hiding
But don’t let the silence
Come back to your eyes
‘Cause I heard the music
Your soul was making
It hurts to lose you
Just before we made it
You took my hat with a sad smile
And paid me back with your photograph
Though I needed to know why
I tried only to make you laugh
After you left the sky
Rained for the first time
And I went to see what I
Could find to blow my mind
And I heard the music
Your soul was making
It hurts to lose you
Just before we made it
Now you write mad poetry
In your room with dead roses
Just one more life story
That cries from the ocean
And wait for the dark tide
That comes to you day and night
Is it too late to take your side
Too late to win the fight?
‘Cause I heard the music
Your soul was making
It hurts to lose you
Just before we made it

Dark Tide

Release of Beautifuller Things / Echoes

My latest collections of recordings are now available for download via Bandcamp. Beautifuller Things is a batch of original material, while Echoes is a collection of covers. Both albums and all individual songs can (and should!) be downloaded for free, but if you feel like throwing a dime into the guitar case, you have that option for the Beautifuller Things record only (I need to make sure I don’t make a penny off the covers, so my prison sentence for copyright infringement will be at a minimum). Enjoy!



Beatifuller things (album cover)
Echoes (album cover)